Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Andrea Pozzo
Allegory of the Missionary Work of the Jesuits

ID: 40520

Andrea Pozzo Allegory of the Missionary Work of the Jesuits
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Andrea Pozzo Allegory of the Missionary Work of the Jesuits


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Andrea Pozzo

Italian Baroque Era Painter, 1642-1709 Italian painter, architect and stage designer. He was a brilliant quadratura painter, whose most celebrated works, such as the decoration of the church of S Ignazio in Rome, unite painting, architecture and sculpture in effects of overwhelming illusionism and are among the high-points of Baroque church art. He was a Jesuit lay brother and produced his most significant work for the Society of Jesus. This affiliation was fundamental to his conception of art and to his heightened awareness of the artist's role as instrumental in proclaiming the faith and stimulating religious fervour. The methods he used were those of Counter-Reformation rhetoric, as represented in Ignatius Loyola's Spirited Exercises (1548).   Related Paintings of Andrea Pozzo :. | Portrait of a Young Man (detail) af | Mountain | Holandka | anna hedvig brondum | The Sura From the High Bank |
Related Artists:
Georg Caspar Prenner
painted The children of Count Vorontsov in 1755
George Hendrik Breitner
Dutch Painter, 1857-1923 Dutch painter and photographer. He trained as a painter and draughtsman at the academy in The Hague. Although the Dutch painter Charles Rochussen taught the students history and landscape painting, Breitner's interests did not lie in this area. In 1880 he worked for a year in the studio of Willem Maris after his academy training. Maris belonged to the Hague school of painters, who worked in the plein-air tradition of the French Barbizon school. Breitner painted outdoor life with them, although it was not the picturesqueness of the landscape or the Dutch skies that appealed to him. With Van Gogh he roamed the working-class districts of The Hague and through the dockyards of Rotterdam. Both artists recorded the vitality of city life in their sketchbooks. Breitner consciously chose these themes and motifs: he wanted to paint people going about their daily lives
Hofmann Charles C.
American Painter, 1820-1882






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